An impassioned symphony conductor is the best metaphor for the way in which Marko shoots automobiles. This ability comes from many years as a writer and director on big budget corporate films for such storied brands like Lamborghini, Bugatti and Bentley. His inevitable move into spot work required a distillation of style. Big, aggressive and jarring imagery transforms in a breath to a delicate interplay of sheet metal and sunlight and then shift again to something in between. His agile and informed approach to casting finds talent connecting the space between the movements of his work. This trifecta of seamlessly shifting visual and emotional transformations sets his work in an unparalleled position. From muscle cars to minivans and compacts, in short, Marko shoots cars like no other.